The Midnight Man Page 4

  ‘To find she had been unfaithful?’ Beauchamp asked swiftly.

  ‘Yes, she had fallen in love with the steward of the manor, a man she’d known since childhood. Other servants betrayed her secret trysts. Her husband caught her. He had the steward decapitated, his severed head pickled and preserved.’

  ‘And his wife?’

  ‘She was condemned to a living hell. She was confined to that ghastly cell, walled up like a recluse. Every night her husband and chosen servants entered her cell and prepared the table for supper. Three chairs: one for him, one for her and a third for her dead lover. Every evening the food would be served, brought from the kitchen, along with the severed head which would be placed opposite her. The manor lord insisted that she eat and drink with him. Never once would he utter a word to her or answer any of her pleas, except to point to the ghastly remnants of her former lover.’

  ‘Surely,’ Stephen asked, horrified by the story, ‘the other servants would object?’

  ‘No.’ Anselm tapped the table. ‘The knight was both feared and loved, well-respected by the King; and his wife had been found playing the two-backed beast while he had been honouring his oath to the Crown. She had betrayed him and been caught red-handed. God forgive them but no mercy or compassion was shown to her.’ Anselm drank from his beaker. ‘By then the vengeance was making itself felt throughout the kingdom. The great pestilence had emerged in Dorset. All the terrors of the underworld emerged. The village and manor on Romney Marsh was devastated by the Angel of Death. Entire families fled. Apparently, according to the hermit, only the manor lord, his wretched wife and a few servants remained. Nevertheless, the torture continued until one day she managed to get a length of rope. She hanged herself and her husband buried her in that passageway; the final insult was her dead lover’s severed head being placed between her legs. The husband was later swept away by the plague. The manor house and village were deserted.’

  ‘Except for the ghosts?’

  ‘Aye, Sir William, evil ghosts, supported by their kind as well as those two unfortunates who had loved unwisely.’

  ‘And what did you do?’ the sexton asked.

  Anselm sat listening to the cries of some night bird in the gardens beyond, a lonely sound answered by the creaking of this stately, three-storey mansion.

  ‘I arranged a Christian burial for the remains in consecrated ground. The new lord of the manor and his lady vowed to go on pilgrimage to Our Lady of Walsingham as well as Saint Swithun’s Well. I offered Mass in reparation as well as a requiem for the dead. I blessed that house, hallowed the chamber and,’ Anselm lifted his hands, ‘as God be my witness, peace returned.’

  ‘And you think the same has happened here?’ Sir William demanded.

  ‘Yes, I do. The secret rites of the Midnight Man disturbed something, opened the door to spiritual forces, venomous and vindictive, but they must have a nestling place here. Something wicked and hideously evil has been committed in and around that church.’

  Parson Smollat gulped his wine and stared askance at Sir William.

  ‘I was granted the advowson of this church three years ago after my wife died,’ Sir William declared. ‘I could not abide to continue to live in my house in Cheapside where my wife had lingered with a wasting disease. I moved here. A year later I was pleased to appoint Parson Thomas Smollat as the parson but,’ his voice faltered, ‘well, that’s all I know.’ He almost gasped before continuing: ‘I cannot tell you what the cause of all this is.’

  ‘I have studied the recent history of the church,’ Parson Smollat offered. ‘Certainly there have been murders in the cemetery, drunkards with flashing knives, while during the great plague a huge burial pit was dug in the cemetery . . .’

  ‘It cannot be any of these,’ Anselm observed.

  ‘But what you’re claiming,’ Beauchamp declared, ‘is that all the hauntings and ghostly manifestations at Saint Michael’s are rooted in human activity? Some bubbling iniquity, some unresolved sin?’

  ‘Yes,’ Anselm got to his feet, ‘that is what I am claiming. A mortal sin, an act which has killed God’s life in souls. I did not succeed tonight because I could not find the root.’ He beckoned at Stephen. ‘Now, Sir William, I believe we have lodgings here?’

  ‘Magister,’ Beauchamp also got to his feet, ‘as I said, I have other business with you. Messages from the council but,’ he smiled, ‘you have worked long and hard. I shall have words with you tomorrow, if not here then at White Friars.’

  Anselm shrugged, picked up his pannier and moved to the door.

  ‘Tell me,’ Sir William called out, ‘did you learn anything tonight during your exorcism?’

  ‘No,’ Anselm retorted. ‘Young women, perhaps, who died in great distress except for one voice, a man’s, strong, rather mocking, loudly complaining at being dragged away though what that means I cannot say. Now, Sir William, if you could show us to our chambers . . .’

  Words Amongst the Pilgrims

  The physician stopped speaking. He drank generously from his wine cup while studying, as if for the first time, two painted cloths hanging against the wall to the left of the great mantled hearth. The first showed a creature with a beast’s snout, ears like a pig, a human body and legs with hooves. This grotesque had a long tail curled up behind it and was watching an ape riding face to tail on a galloping goat. On the ape’s left wrist perched an owl, while the ape’s right hand was raised in mock benediction. Next to this painting was an Agnus Dei; the lamb held the Cross of the Resurrection while blood from the lamb’s side seeped into a waiting chalice. The rest of the pilgrims watched the physician, wondering why he had paused so abruptly.

  ‘A fearsome tale.’ The yeoman spoke. ‘Do these paintings, my friend, remind you of something?’

  ‘Yes and no,’ the physician replied. ‘Not of my story – more about the contrast of good and evil in man.’ The real reason why the physician had paused was the Wife of Bath who – her fat, cheery face even redder from the wine – sat staring, her mouth gaping.

  ‘I know of both Sir William and Sir Miles,’ the knight declared. ‘I came across both in my hunt. Have you, Brother?’ The knight pointed directly at the monk who, cowl pushed up, now retreated deeper into the shadows which thronged the taproom. The darkness had certainly deepened, while the flames of the candelabra danced in the strengthening breeze, seeping through window-shutters or beneath closed doors.

  ‘My friend.’ The monk’s voice was rich, mockery charging every word with double meaning. ‘My friend,’ he repeated, ‘why should what you hunt – the Strigoi, so I understand – trouble themselves with the dead or those who try to speak to them? I have never been to Saint Michael’s, Candlewick, though I have heard about its ripe, full whores . . .’

  ‘And I’ve heard the same,’ the friar intervened, his brown face and bald head greasy with sweat. ‘I’ve preached at the cross nearby. I heard the most terrifying stories about . . .’

  ‘Then hush, friend.’ The physician smiled. ‘Let me tell my tale as it unfolds.’

  ‘Oh, I shall,’ the friar replied. ‘I knew the White Friar Anselm, a peaceful, powerful man of deep prayer and austere life.’

  ‘Unlike other friars we know,’ the miller scoffed.

  ‘He came to our convent once,’ the prioress intervened. Like the rest, she wanted the physician to continue. She had to know the end and not have it spoilt by childish squabbling amongst her companions. ‘Yes, Brother Anselm came to our convent,’ she repeated, ‘because of a shocking haunting. Our cloisters were walked by the ghost of a young novice who hanged herself from an iron bracket there. She simply slipped a noose around her pretty white neck and stepped off the ledge. Weeks afterwards her ghost could be both seen and heard sobbing uncontrollably. They say,’ the prioress said, now forgetting her usually exquisite courtesy and glaring venomously at the friar, ‘that she fell enamoured of a wandering preacher, a troubadour, really a friar in disguise, hot and lecherous like a sparrow. I think . . .’


  ‘I saw a painting once,’ the friar cheekily replied, ‘of an ass playing a harp.’

  ‘What was that?’ The prioress’ voice rose to a screech.

  ‘Gentle pilgrims,’ Master Chaucer quickly intervened. The physician had quietly disappeared.

  ‘He’s gone out.’ The softly spoken ploughman pointed to the taproom door, which hung slightly open.

  Chaucer rose swiftly and went out into the moon-washed garden. The air was heavy with the smell of the late spring flowers and the fragrance from the herbers. Water splashed from a fountain, carved in the shape of a pineapple, into an ornamental pool lit by flaring cresset torches, lashed to poles on either side. Chaucer heard the cries and exclamations from the pilgrims in the tavern as they demanded the tale continue. A figure stepped out of the shadows, a slattern bearing a tub smelling richly of crushed roses, violets, bay leaves, fennel, mint and other aromatics. Chaucer immediately recognized them as a sure protection against any contagion in the air.

  The slattern stopped before him, her pale, skinny face under the hair cap eager to please. She indicated behind her. ‘The physician, as soon as he arrived, advised the tavern master to keep the air fresh. Anyway, your physician is back there with his friend.’ She slipped by him. Chaucer followed her back in and sat down, pretending to fuss over the wine jug. Eventually the physician returned, clapping his hands and apologizing to his fellow pilgrims, distracting them all except Master Chaucer. He glimpsed the scabby-faced summoner also slip back in from the garden, silent and stealthily as any hunting stoat. Chaucer chewed his lip. He wondered if the summoner, who acted the shifty nip or foist, was only playing a part. The physician, however, eyes all bright, lifted his goblet in toast to the company and returned to his tale.

  The Physician’s Tale

  Part Two

  ‘Saint Michael, defend us on the day of battle. Do thou leader of the heavenly host, thrust down to hell Satan and all his horde who wander the world for the ruin of souls.’

  Stephen, kneeling beside Anselm, answered, ‘Amen.’ He rose and followed the exorcist from the chapel across the nave, under the great, elaborately carved rood screen and up the main sanctuary steps into the sacristy. He helped his master divest and returned to ensure all was cleared from the chantry chapel of St Joseph. Afterwards he followed his master, clothed in the brown and white of the Carmelites, as he strolled around St Michael’s, Candlewick. They had both slept well in the comfortable chambers provided by Sir William. They’d risen before dawn, washed and dressed, packed their panniers and moved across to the church, where a sleepy-eyed Stephen had helped Anselm prepare for the dawn Mass. As usual, Stephen had acted as Anselm’s altar server; now he was famished, eager to break his fast. Anselm, however, was keen to catch what he called ‘the essence of this place’, so Stephen leisurely followed him around the ancient church. In the grey light of the April dawn St Michael’s did not look so forbidding: it appeared clean, swept and tidy, with benches and stools neatly arranged. The sanctuary was laid out in strict accordance with canon law: pulpit, lectern, ambo and offertory table. The pyx hung on a thick brass chain, a fluttering red sanctuary lamp dangling beside it. The windows were filled with horn or oiled pig’s bladders; a few were glazed and some of these brilliantly decorated with the heads of angels or saints, the face of Christ with a nimbus of gold and, of course, depictions of St Michael the Archangel in various guises: as a nobleman, judge, even a knight in armour. In the corner of the chantry chapel dedicated to St Michael stood a life-size statue of the Archangel, cleverly carved and brilliantly painted with the royal colours of blue, scarlet and gold. Anselm stopped before this and pointed to where the painted stone had crumbled; the hilt of the Archangel’s sword was cracked, while the heraldic devices on St Michael’s great oval shield were clearly battered.

  ‘Sir William told us the statue had been tipped over.’ He gestured at the candle stand of heavy iron. ‘That, too. What force, Stephen, could move them?’ He glanced around. ‘Ah, well, it’s so different now, I mean, from when we were here last night – look!’ He pointed at the light pouring through the windows, now turning gold in the glow of the rising sun. Stephen agreed. St Michael’s now seemed no different from any London parish church – St Mary Le Bow, St Nicholas or St Martin. Anselm walked round. He lit a taper in the Lady chapel, inspected the different inscriptions and went into the Galilee porch. He paused to examine the bell which hung just inside the door. Any man, fleeing from the law, who sought shelter would enter here, ring the bell then hasten up into the sanctuary and grasp the horn or side of the altar, as Joab had done in the Old Testament when fleeing from the killers dispatched by King David. Anselm studied both door and bell closely then walked across to the empty sanctuary recess where he crouched, tapping the palliasse; a fleeing man would use this during his forty-day stay in the church.

  ‘Magister?’

  ‘During the exorcism last night, Stephen, a male voice, different from the rest, spoke about being dragged from here. I wonder who it was?’

  ‘Magister, last night during the exorcism you seemed distracted. What truly happened?’

  Anselm rose to his feet and peered down the church. ‘Something quite common, Stephen.’ Anselm rubbed his forehead. ‘During an exorcism I do suffer tricks of the mind,’ he confessed. ‘I do not know whether they are just phantasms born from what is happening or the ploy of an evil spirit. But, rest assured,’ he added grimly, ‘they’re certainly here. Indeed, I think of Ecclesiasticus, chapter twenty-nine, verse thirty-three: “There are spirits who thirst for vengeance and in all their fiery fury inflict grievous torment”. Do they, I ask myself, conjure up visions of sin from the past to dull my soul, chill my heart, darken my mind and so frustrate my soul? Grinning, mouldering skulls, snatches of violence, the smoke and stains of past offences?’ Anselm stared down at Stephen. ‘Augustine claims our sins run like foxes through our souls while God, for his own secret purposes, sends in his hounds to hunt them down. In times of distress these foxes manifest themselves.’

  ‘Even if you have confessed and been shriven?’

  ‘Sometimes the foxes are only driven off – they slink away and lurk waiting in the undergrowth.’ He patted Stephen on the shoulder. ‘All I can do is ask God, if I’m in His grace, to keep me there and, if I’m not, to put me there. My sins may be absolved, Stephen, but that doesn’t mean I haven’t lost my appetite for them.’ He gestured around. ‘There’s certainly a banquet going on here, an unseen, diabolic feast. Evil spirits summoned up by the Midnight Man have, and are, feasting like hungry hounds on the rank despair which seeps through this church. Anyway, go round, look for anything untoward.’

  Anselm walked across the sanctuary. Stephen went down the steps into the sombre nave. He entered the chantry chapel of St Joseph and admired the cleverly carved statue of Christ’s protector as well as the paintings depicting scenes from the carpenter’s life. He turned left and stopped before the tombs of former parsons, read their inscriptions, then walked on. The light was dim except where the painted glass caught the flash of the sun. Nonetheless Stephen now felt a prickling fear: he was not alone. He glanced up and caught the twisted smile of some gargoyle carved at the top of a pillar or the corner of a sill. He recalled the legend of how such babewyns could spring to life and crawl down the pillar to taunt and trip the unwary. Stephen stopped before a wall painting describing the death of Holofernes in the Book of Judith. The artist had created a vivid scene in the fallen tyrant’s pavilion. Judith the heroine clutched a great two-handed sword. The tyrant’s corpse lay sprawled amongst his precious cloths and treasures; his severed head had rolled away and stared out from the corner of the painting. Not a dead gaze, the eyes held a ghastly glare, as if the head still lived and was aware of its ignominious situation. The more Stephen stared at the painting the more those eyes seemed to pulsate with a vindictive life. He walked on to another fresco, undoubtedly the work of the same itinerant painter. Here the artist proclaimed his own
vision of hell: a great city high and wide under a sky of fiery bronze, cut through by a turbid, blood-black stream boarded by trees with thorns as sharp as daggers. Flames leapt up to greet black snowflakes and pelting grey rain. Fruit, bloated and rotten with noxious potions, gave sustenance to savage dogs. Lungeing vipers and all kinds of loathsome insects crawled. Demons swarmed like bees, thick and plentiful from the hives of hell. Dragons swam the fiery heavens while beneath the soil of hell other monsters reared their ugly heads, fighting to break through. Stephen glimpsed the tags written beneath the painting. ‘“Within its darkness dwell”,’ the novice translated, ‘“regions of misery and gloom”.’ He heard his master cough and turned. Immediately a fierce chill seized him. Anselm was staring up at an iron bracket fixed to a wall in the far aisle on which lantern horns could be hung. The exorcist was not alone. Figures clustered around him: a blond-haired man dressed in a shabby jerkin, followed closely by young women with long dirty hair, ragged clothes, pitted skin and horrid faces. Stephen shut his eyes and cried out: ‘Magister!’ When he looked again, Anselm was standing by him.